ironic mustache

On Hipsters: N.Y. Times Contributor Takes on The Life of Irony


via Ironic Mustache Tumblr

This weekend’s winner of the New York Times Article That Will Draw Equal Parts Praise and Rancor is “How to Live Without Irony,” a well-written, thought-provoking op-ed by Christy Wampole, an assistant professor of French at Princeton University. Read the full piece for the true effect of her Sincerity Mission Statement, but here’s the thesis:

Take, for example, an ad that calls itself an ad, makes fun of its own format, and attempts to lure its target market to laugh at and with it. It pre-emptively acknowledges its own failure to accomplish anything meaningful. No attack can be set against it, as it has already conquered itself. The ironic frame functions as a shield against criticism. The same goes for ironic living. Irony is the most self-defensive mode, as it allows a person to dodge responsibility for his or her choices, aesthetic and otherwise. To live ironically is to hide in public. It is flagrantly indirect, a form of subterfuge, which means etymologically to “secretly flee” (subter + fuge). Somehow, directness has become unbearable to us.

How did this happen? It stems in part from the belief that this generation has little to offer in terms of culture, that everything has already been done, or that serious commitment to any belief will eventually be subsumed by an opposing belief, rendering the first laughable at best and contemptible at worst. This kind of defensive living works as a pre-emptive surrender and takes the form of reaction rather than action.

One could effortlessly rant with an easy 2,500 words in response to Wampole’s fair (and flawed) op-ed, but instead we look to the Ultimate Irony Warehouse, Twitter, where New York Daily News opinion writer (and must-follow) Josh Greenman did the dirty work in 140 characters:

One might also note that not all irony lovers are hipsters, and that you can be even ironic within the context of a meaningful or sincere life. One might also point to a long and storied history of irony, or pre-hipsters, and refute Ms. Wampole’s “As a Gen X’r I fear only recently are we all dead inside” thesis with Rollie Fingers’ epic handlebar mustache:

This, from an earlier post, is more convincing: Young gentros in Urban Outfitters “Navajo” tees saying “F**k the system” and “I don’t see color”: You are the problem. Two slam poets with Brave New Voices deliver this fearless indictment of hipster cultural appropriation and all its collateral damage.

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Slade Sohmer

Slade Sohmer is editor-in-chief of HyperVocal and co-host of SiriusXM's daily "Politics Powered By Twitter" program. Tweet him at @SladeHV.

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  1. November
    19th, 2012

    Irony: The ressentiment
    of our Time?

    By: Esmeralda Smith Romero

    Christy
    Wampole’s article in the November 17th New York Times Blog “How to
    Live Without Irony” says that “irony is the primary mode with which daily life
    is dealt” for many American children of the 80’s and 90’s, particularly for
    middle-class Caucasians. This presumption arrogantly and small-mindedly assumes
    the life built on irony to be an American phenomenon. But as most hipsters know
    (generally through their love of all things esoteric and particularly through
    their fascination with the Sartorialist, Dwell, Flight of the Concords and the
    Huffington Post), irony in dress, in speech and in décor is a global
    phenomenon. Fixed gear bikes, quinoa salad and vintage clothes do not exist solely
    in Portland and Brooklyn, but rather the various incarnations of irony are
    manifesting themselves throughout the world in a beautiful tapestry, likely one
    bought in a small-town market on a recent trip to somewhere exotic. If we use
    Wampole’s logic about living ironically being simply a reaction to “too much
    comfort, too much history and too many choices” then we see that hipsters
    aren’t simply living in the United States, but rather can be found in South
    Korea, Colombia, the United Arab Emirates and of course that hipster haven, the
    European Union. Furthermore, it is unfair to say that hipsterism is a middle
    class phenomenon. In my experience many hipsters work in the retail and service
    industries, are underemployed or students with student loans.

    According
    to Wampole, the irony culture has significant political importance because the
    typical hipster of our time is shirking “responsibility for his or her choices,
    aesthetic and otherwise. To live ironically is to hide in public.” To claim
    that hipsters are hiding in public is indeed interesting. Living in Ottawa,
    Canada, it is easy to attest to the fact that many out-of-the-closet hipsters
    work for the government during the day, riding their fixed gear bikes to work,
    eating their quinoa salad at lunch, and most likely wearing vintage dresses and
    ties that go splendidly with their whimsical socks and tights. In their off
    time, they play in bands, paint abstract art by throwing paint-filled condoms, watch Macklemore and Ryan Lewis’ “Thrift Shop” Song
    (http://www.youtube.com/watch?v=QK8mJJJvaes) on their YouTube app, and go
    to their friends’ concerts, art shows, and plays: in other words, they invest in their communities. These
    young people are in fact the very model of citizenship. This is quite the
    opposite of the picture Wampole is offering us of parasitical hipsters “siphon[ing] energy from the cultural
    reserves of the community at large.”

    Wampole
    goes on to make a very Nietzschean argument that “This kind of defensive living
    works as a pre-emptive surrender and takes the form of reaction rather than
    action.” Wampole is suggesting that our generation is Nietzsche’s infamous
    Bad. She would perhaps suggest
    that instead of harnessing our restless energies to overcome the
    establishment’s moral monopoly and denounce their supposedly innocuous politics
    and ethics as Evil, we go thrifting. Wampole commends us for our command of the
    language of the defeated, the detached, the indifferent, and the superficial. However,
    as the Occupy movements, the Arab Spring democratic movements and the EU anti-austerity
    movements throughout the world have shown, young people, many of whom are
    hipsters, care about the world they live in. Young people are not content with
    the debts, the pollution and the unemployment they and their global others (in
    a Levinasian sense) are shouldering. While it can be argued that we are a
    powerless generation, as we search for stable jobs where no opportunities apparently
    exist, this can be said of any young generation. It is merely romantic
    storytelling to argue that young generations past were more activist. Every
    generation before us has contributed, has written their story, and so we are
    offering ours. We must answer the question: Is our generation merely
    re-appropriating the assumptions that have been made of us? Wampole suggests our supposed “belief
    that this generation has little to offer in terms of culture, that everything
    has already been done, or that serious commitment to any belief will eventually
    be subsumed by an opposing belief, rendering the first laughable at best and
    contemptible at worst.” However, we do act. Every decision to dress ironically
    is a statement about our society, about who we are as individuals and as a
    fluid group. While seemingly powerless, we do not feed on ressentiment, we are not
    envious and covetous. Rather, we want everyone, including ourselves and
    especially the forgotten 99%, to have a fair share and get a fair shot. We are
    not hostile out of a sense of inferiority. But, we do protest: we do respectfully
    say “NO” and “STOP” out of confidence in the strong education we have been
    given but that has been obscured by artificial wants. We are taking
    responsibility, not avoiding it, and expecting our elders who hold power and
    money to follow suit and be brought to account. Rather than fitting a
    Nietzschean scheme, our current generation fits a poststructuralist model more
    closely, such as one formed by relations of power, as envisioned by Foucault.

    Is living
    ironically symptomatic of our generational surrender of the ideal of achievement?
    Have we taken the existential route of nihilism? In other words, as beautiful as
    a day can be or as miraculous as our lives may be, is existence, not to mention
    resistance, futile? I say no. I say that what we have found is belief in social
    and political ideals of justice and we are trying to live them out in all the
    small ways. Our ironic t-shirts are not nihilistic: they are riffing on a theme
    of our being labeled, bought, traded and bartered by pop-culture and
    pop-politics. For Wampole to be so demeaning of an entire group of harmless
    people based on what they wear, assuming it to reflect their beliefs, is
    worrisome and contains a not-so subtle whiff of intolerance. It dangerously
    essentializes subgroups. We should all have learnt by now that people are
    multifaceted, that they have
    beliefs and meaning that extend beyond what we assume about them based on what
    they wear.

    What
    of Absurdism? What of Kierkegaard, Camus, Artaud, Beckett, Pinter, Albee,
    Grass, Kafka, Tzara and all the Dadaists? Is it not fair to posit that like
    other counter-culture movements ironic hipsters of today are not eluding the
    absurd, but rather embracing and confronting it in an existential awakening, in
    an attempt to free themselves. They find personal meaning in life through
    irony, as silly as it may seem to Ms. Wampole, and rather than simply hope for
    a better tomorrow they creatively transform and contribute to the world around
    them.

    To
    suggest that hipsters are apathetic is one leap, but to assume that that apathy
    will invite violent fascism or communism is another level of exaggeration, an
    irresponsible one. “Historically, vacuums eventually have been filled by
    something — more often than not, a hazardous something.” What is more likely is
    that we live in a fascist time, where populist propaganda telling us how to
    dress, how to speak, what to eat, who to love and how to live has bombarded us
    since we could first watch Care Bears. What we are doing now is resisting it.
    Wampole is targeting ironic hipsters as societal enemies. Surely it is a
    stretch to contend that ironic hipsters are really a delinquent subculture
    insofar as they are dangerously opting out of productive society through their
    choice of kitschy decorations and socially ‘confused’ dress. The Chicago school
    and symbolic interactionists everywhere do not have in mind such a frivolous
    interpretation of the literature. When Subcultural Theory was developed, it was
    intended to understand the anti-social values and activities of violent youth
    gangs. They hoped that understanding could lead to intervention that could then
    lead to criminal deterrence. What about hipster culture needs to be deterred
    rather than encouraged? It is once again a dangerous accusation that hipsters
    are a menace to society. It is troublesome to say that their delinquent
    behaviour of social and political consciousness must be curtailed before they
    become “adults” who use irony, satire, sarcasm and parody to communicate their
    resistance to the authority of the status quo. This is a democracy after all,
    and we are free to express our opinions as we choose, to dress as we please,
    and, to give those we love the tackiest things we can find at garage sales. Ms.
    Wampole, these are free countries, so deal with it.

    What
    is perhaps most offensive about Wampole’s text is her line describing people
    “eating anti-depressants like they were candy.” She should be more sensitive to
    people who truly do suffer from mental health disorders, something that has
    been terribly stigmatized in our society and for which we offer very little help
    other than overpriced pharmaceuticals. This is a legitimate first world
    problem.

    Wampole
    writes, “the ironic clique appears simply too comfortable, too brainlessly
    compliant. Ironic living is a first-world problem. For the relatively well
    educated and financially secure, irony functions as a kind of credit card you
    never have to pay back. [… The hipster] doesn’t own anything he possesses.” Lucky
    for Wampole, we do live in such an affluent society that people can pursue
    PhD’s at Ivy League schools where they study the practical and demanding
    subjects of French and Italian Literature. Rather than using the self-absorbed
    and self-effacing hashtag of #firstworldproblems, perhaps Wampole could
    recognize that the first world has problems too. It is not the ideal utopia of
    progress that past generations of development theorists presented it as. In
    fact, perhaps hipsters and their irony are not the first world problems, but
    rather it is the dreary and complacent status quo that we should be worried
    about. Perhaps people who target activists as enemies from within are truly
    those worth writing and worrying about. My hope for Ms. Wampole is that she
    takes some of her own advice and undertake “an honest self-inventory.”

    “One
    cannot accelerate meaningful remembrance.” Is this true? We live in such a fast
    paced world of representations filled with meaningful experiences for the
    perceiver. Is it wrong to cultivate a nostalgic following for shows decades
    old, songs years old, sayings months old and memes weeks old? The information
    fatigue that our generation suffers from due to the informational blitzkrieg
    leads to an ability to filter and synergize more information. Thus, when we do
    act, it is with strong purpose motivated by greater evidence. As Jean
    Baudrillard might argue, rather than becoming deluded and seduced by the
    objects, beliefs and other signifiers we are constantly being sold, we are
    trying to understand and capture the minutiae of real life in order to take
    meaningful action, and we are representing that with our own t-shirts.

    Thus,
    if “[s]omething about the responsibility of choosing a personal, meaningful
    gift for a friend feels too intimate, too momentous” then by all means, buy our
    shirts! http://deepthoughts.myshopify.com

    Please
    find the original article at:

    http://opinionator.blogs.nytimes.com/2012/11/17/how-to-live-without-irony/

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